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Interstellar (soundtrack) : ウィキペディア英語版 | Interstellar (soundtrack)
''Interstellar: Original Motion Picture Soundtrack'' is the soundtrack album to the 2014 film ''Interstellar'' directed by Christopher Nolan. The film score is composed by Hans Zimmer who previously scored Nolan's ''Batman'' film trilogy and ''Inception''. The soundtrack garnered critical acclaim. Prior to its digital release, it was nominated for an Academy Award and Original Score at the Hollywood Music in Media Awards. The soundtrack was released on November 17, 2014 via the WaterTower label. ==Background==
In mid-October 2012, Christopher Nolan sent Hans Zimmer a typewritten note that detailed the theme of his film and asked Zimmer to spend a day writing some musical ideas.〔 When Zimmer received the note, he was attending a gathering of students at Loyola Marymount University's School of Film and Television.〔 In one night, Zimmer wrote a four-minute piece with piano and organ. The composed piece as per Zimmer asserted feelings of "what it meant to be a father".〔 Nolan heard the piece and superficially explained about the film. As the film also explores a father-daughter relationship, Nolan called that piece the "heart of the story".〔 Nolan began writing with this piece of music sort of giving him company through the writing process, through the shoot. According to Zimmer, composers typically become involved toward the end of a film's creation, but for ''Interstellar'', Zimmer began composing two years prior to its release.〔 In an interview with ''The Hollywood Reporter'', Zimmer stated that he could relate his relationship with his own son to the part mentioned in Nolan's first letter.〔 Zimmer was quoted saying, "This story, this fable, these bits of dialogue he wrote for me were full of personal information that he has about myself and my children."〔 According to Zimmer, ''Interstellar'' related to people in complete isolation. In summer of 2013, Zimmer isolated himself at his apartment in London for a month to live as a hermit. For ''Interstellar'', Zimmer and Nolan both talked about Time Life books, the space, pictures by NASA available in books that kids read. It took two years for Zimmer to conceptualize and compose the score, in parallel with the scripting and shooting of the film. Usually, by the time Nolan was shooting a scene in the film, Zimmer was ready with the score for that particular scene. However, most of the actual recording was done in the late spring of 2014.〔 Zimmer played every note of the score himself, making extensive use of his computers and synthesizers, and explained that it gave the music a singular quality. However, later, he needed musicians to perform complex instrument score. Zimmer and Nolan visited London's Temple Church to record the 1926 four-manual Harrison & Harrison organ played by the church's music director Roger Sayer.〔 Further, for the overall score, Zimmer added an ensemble of 34 strings, 24 woodwinds and four pianos and recorded it at AIR's Lyndhurst Hall studios. Zimmer himself played the solo piano for the scenes in the film near Saturn.〔 He also added a 60-voice mixed choir. As per Zimmer, the concept of air and breath resonates throughout the score, as the film revolves much with astronauts in spacesuits. Richard Harvey with Gavin Greenaway conducted the score.〔 Zimmer told them to assemble a group of top woodwind players, then asked the musicians to play strange and unusual sounds with their instruments. The choral elements were experimental.〔 Zimmer used the choir in traditionally unusual ways, for example, "to hear the exhalation of 60 people as if the wind flows through the dunes in the Sahara."〔 He made the choir face away from the microphones, using them as reverb for the pianos. Zimmer explained, "The further we get away from Earth in the movie, the more the sound is generated by humans—but an alienation of human sounds. Like the video messages in the movie, they're a little more corroded, a little more abstract."
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